In the case of digital run-and-gun projects (like a low-budget rock concert or reality TV productions), the cameras are running wild and not necessarily synced to each other. Obviously timecode is ideal, but this only works properly when all cameras were fed from a genlocked master timecode generator. When you work multi-cam shows, proper sync is essential to line up the camera iso recordings in post. “You have GOT to see it,” was the comment I often heard about PluralEyes during that week. Without a doubt, every editor friend I ran into at NAB that happened to pass by Singular Software’s booth raved about this product. If you’ve ever edited multi-cam shows where the production crew’s attitude seemed to have been, “Sync! We don’t need any stinkin’ sync!” – then this software is for you.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |